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| Beatriz Millar Swiss |
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Born 1967 in Einsiedeln, Switzerland. Lives and works in Toscolano, Lake Garda, Italy. Degrees: Diploma in Education for Primary School, Schwyz (Switzerland) – Academy of Fine Arts in Luzern (Switzerland) – Graduated Fashion Designer IGOS, Milano (Italy) Gallery Representation: Byblos Art Gallery, Verona (Italy) Collections: MART, Rovereto (Italy) – Byblos Art Hotel Villa Amistà, Verona (Italy) Projects: Sculpture “CLOWN – CLONE” for a private collection in Dubai (UAE) Her most important solo exhibitions: 1993, Stockholm Art Fair (Sweden), Galleria Cinquetti – 1997, “Mixed Emotions”, Multimedia Arte Contemporanea, Brescia (Italy) – 2002, “IXx…”, Palazzetto dell’Arte, Foggia (Italy) - 2003, “Be(a)-Bop”, Museo Nazionale Villa Pisani, Stra Venezia (Italy) – 2004, Art – Moscow, Swinger Art Gallery (Russia). Her most important group exhibitions: 1995, “La Caverna Telema(n)tica, PAC Torino (Italy) – 2000, “Seconda Triennale d’Arte Sacra Contemporanea”, Lecce (Italy) – 2002, “Le Stanze dell’Arte”, MART Rovereto (Italy) - 2002, “Out of True”, Design District Miami (USA) - 2006 Private Collection: Byblos Art Hotel Villa Amistà Verona (Italy) Selected Bibliography: Romana Loda, Beatriz Millar. Between wandering and skill, Multimedia Edizione, Brescia 1999 Elena Casotto, Le stanze dell’arte, MART, Rovereto, Skira, Milano 2002 Gabriella Belli, Luca Beatrice, Romana Loda, Gabriella Citroni, Beatriz Millar. Be(a)-Bop, Edizione Charta, Milano 2004 Janus, Beatriz Millar. Alchimia e Sensualità, Artein, Venezia 2005 Micaela Giovanotti, Joyce B. Korotkin, Out of True. Byblos Art Gallery, Verona 2006 Official website: www.beatrizmillar.com Last works: Beatriz Millar is researching the difference between truth and reality in the difficult world of phenomena, where today so many tricks are applied to challenge time passing. Her spirit is rebelling against a world of appearances where the visual sense has too much weight and people are out of balance. In admiring the humbleness of nature, she looks to it and finds her teacher there, for example in a tree, where time and space influence its natural evolution of physical transformation with the seasons, but the inner soul of its living element will never change, Millar being a Joker in the contemporary Court, jokes and provokes: After a lifting, make-up the tree… and the tree even blossoms in winter.
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